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・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


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Encyclopaedia metropolitana : ウィキペディア英語版
Encyclopædia Metropolitana

''The Encyclopædia Metropolitana'' was an encyclopedic work published in London, from 1817 to 1845, by part publication. In all it came to quarto, 30 vols., having been issued in 59 parts (22,426 pages, 565 plates).
==Origins==

Initially the project was part of transitional arrangements in 1817 under which Samuel Taylor Coleridge moved publisher, from John Mathew Gutch to Rest Fenner, working with the Rev. Thomas Curtis. Coleridge was offered the role of editor; he wrote the Introduction, which appeared in January 1818, brought out to compete with the fifth edition of the ''Encyclopædia Britannica'' which had appeared in 1817 in 20 volumes. Fenner, however, dropped the publication after five part-volumes.〔Richard Holmes, ''Coleridge: Darker Reflections'' (1998), pp. 445-6, 451, 458, 461-2.〕
The ''Encyclopædia Metropolitana'' was revived in 1820 by the intervention of Bishop William Howley, concerned also to compete with the ''Britannica'', in this case to counter its secular tendency. Howley brought in William Rowe Lyall to take charge. Lyall in turn appointed Edward Smedley as editor. Smedley was succeeded in 1836 by Hugh James Rose.
A rival production was the ''London Encyclopædia'' (22 volumes beginning in 1825 and completed within a few years) of the publisher Thomas Tegg. Tegg used Thomas Curtis from the original Coleridge project as editor, and proclaimed the fact on the title page. As he explained in the 1829 preface to his work, Tegg had been obstructed by legal moves from the side of the ''Metropolitana'', but went ahead anyway, pleading that compilations such as encyclopedias needed different rules of copyright.

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